Thursday, May 24, 2012

Moloch

    I had created this blog to note my immediate unedited response on watching a movie. This does not therefore serve as a review and there is every chance that a more thought out analysis of the movie would present a different perception from the initial one.


    Well , for this movie, which I watched the day before, I decided to not put in a quick unedited blog immediately. The movie is clearly the output of a very intense creative process and I did not want to risk a misrepresentation. Two days later, I am blogging this just so that I don't miss out on the chance to note the impressions before my memory fades off.


      As you can make out from the two paragraph disclaimers, I have a lot of respect for this movie. This has not been made to sell. It simply won't. The director of 22 Female Kottayam , the movie I had watched before this one had in an interview presented his confident conviction about how a movie should respect a budget and so forth. 'Moloch' is a different league.
   
     Moloch has been made because Moloch wanted itself made. A stream of consciousness that was gushing through the director , Aleksandr Sokurov just presented itself.  The cinematography was ethereal - magical. There is a perfection to it that leaves you spellbound. Think of a beautiful painting of a misty morning and you somehow get into the painting and see more of the world in the painting and all the sights as beautiful as the painting itself.That is how the cinematography was. 
    
     The subject itself is a very surprising one. As you watch the movie, a protagonist comes in who looks like Hitler. You are not sure if he really plays Hitler yet. A little later , this person is presented in a very light manner and you think it is some sort of a spoof of Hitler. Soon you realize that this is a portrayal of Hitler among people he is close to and this closeness leads to comic moments where Hitler's ideosyncracies are presented. After many such situations , Hitler's conviction in cruelty and insanity is presented with such conviction that it sends chills down your spine. The director has been extremely adept here.


     The movie is based out of Hitler's secretary's diary notes and the aspects presented are eye-opening.  The way he sits in his building and watches news reels of real war that is happening projected for him in his theater. His mad conviction towards what he is doing. When his weaknesses are presented , it is unbelievable to imagine that this idiot is such a terror. There is a vacation sequence where guarded by german soldiers Hitler and his close friends fool around.
The soldier is unable to look at Hitler's slapstick dances as this is the same man who has made his life so taut.           
      One isane man and so much devastation. This movie needs another watch for further comprehension - worth a thorough study for content and for presentation.





Saturday, May 12, 2012

Malayalam Movie 22 Female Kottayam -12/May/12(Theatre)

  The first reaction on watching the movie was to come again tomorrow for another watch.
  Makes one hopeful of the plight of malayalam movies.

  Aashiq Abu and team has taken up the challenge of presenting something relevant , a burning truth of current times from your own society and your own times and has succeeded well with the challenge. It is easy to find some interesting theme if you don't restrict yourself in time and space.

 The movie felt very current unlike typical malayalam movies that seem to lag in time by 10-15 years(big traditional houses etc.)


  Having chosen the theme, looks like the team has built a story that represents their reaction to the subject. They have been very creative and impactful in their response.

  The movie pleasantly lacks irrelevant side tracks.

  A very bold movie.
  Close to unpleasant shocking realities of current times.
  Very novel and drastic subject - very convincingly presented.
  Great screenplay - you never see something that you have already expected - the plot, the situations.
  Reema Kallingal has done excellent acting. Fahad Fazl looks good in the movie.
  Loved the camera.

  Direction has been excellent - the movie is completely in Aashiq Abu's control.There were certain points in the screenplay that I believe has a risk of fizzling out bad unless expertly directed and Abu has done that.

   The changed value system of today's rich city youth and yet a certain integrity to it comes out.A never give up ness.

   Cinematography of the movie is excellent with simple uncluttered compositions and excellent lighting and hues.

Very engaging.